​ibanez Tube Screamer Mini Overdrive Review on Utube

Overdrive and distortion

The market overflows with overdrive and distortion pedals. It tin be a tough claiming to decide and to detect pedals that suits your rig and purpose. In this feature we’ll look at a handful of models and how to incorporate these in your rig, with David Gilmour’due south tones and bedroom setups in mind.

Overdrive and distortion isn’t but about getting noise and proceeds. The wrong pedal for your amp and guitar, can do more damage than good and crusade a lot of frustration. On the other mitt, an pedal that’s selected to match perfectly with your amp and taste, will make your tones shine and bring out the all-time in your setup.

Exercise yourself a favour when you’re ownership gain effects and ask yourself these questions: How volition I exist using the pedal â€" stage or rehearsal, studio or bedroom? Practice I want boost, overdrive, baloney or fuzz? Volition I be using 2 or more gain pedals at the same time?

Know your amp!

Overdrive and distortion pedals can be divided in two categories. Transparent and mids scooped and on the other side of the spectrum, compressed and mids additional.

The transparent and mids scooped models were originally designed in the late 60s and early 70s to drive large tube stacks into distortion. These pedals can sound horrible on an uncompressed, mids scooped Twin or smaller sleeping accommodation amps, but creamy and smooth on a compressed and mids additional Marshall.

Pedals with a noticeable mid range and pinch, like the Tube Screamer, started to announced in the late 70s. The idea was to capture the tone of those huge tube stacks in all their glory in a small box. The design with new technoligy, was as well more relieable than the previous silicon and germanium transistors.

In other words, knowing what amp y'all have, is crucial for understanding how overdrive and distortion pedals works and ultimately sound. Read more about how to choose the right pedal for your amp hither.

Stacking pedals

David Gilmour, and others like him, often combine or stack 2 or more proceeds pedals. This tin can either exist to produce a volume or gain boost for solos or, similar David does, to blend the character of two pedals, for more saturation and sustain.

Big Muffs often sound better with a transparent booster placed later on it, set for a very balmy boost and EQ enhancement. David often does this with either a Muff and Powerbooster or Tube Driver.

Boosting with more mids boosted and compressed pedals, like the Tube Screamer and OCD, can often make a Muff sound muddy and almost choked. Try placing the overdrive pedal in forepart of the Muff but be careful with the full amount of proceeds and volume.

Stacking should simply exist washed if it’due south needed. Some Big Muffs, like the Sovtek models and clones, are ofttimes best lonely. Every bit tin distortion pedals like the Rat and similar, like the Buffalo Evolution, TopTone G2 etc.

Stacking two or more pedals, is similar cooking upwardly the finest sauce. The perfect blend will produce a swell tone. Too much, and everything sounds like crap. Trust your ears and know your gear.

All pedals listed beneath were tested on a Stratocaster featuring D Allen Voodoo 69 neck and middle pickups and a Seymour Duncan SSL5 bridge pickups and a Radix Deluxe PRS model with Seymour Duncan Phat Cat P90s into Reeves Custom 50 and Laney Lionheart L20h tube stacks.

Transparent boosters and overdrives

David’s Colorsound Powerboost/ Cornish ST-ii (1972-1983) and Chandler/BK Tube Commuter (1993-present) are typical vintage style boosters/overdrives with a classic bright, mids scooped tone similar to the early Marshalls. Smaller, typical sleeping accommodation setups are often better matched with overdrives with more than midrange and compression.

Colorsound Powerboost/Overdriver

It doesn’t really become more than Nighttime Side, WYWH and Animals than this. The Powerboost’south unmistakably super transparent tone, glassy highs and fat lower end, saturday the standard for all other overdrives. Exist enlightened though that this pedal demands a loud tube amp and can audio a chip flat and fizzy on lower wattage and volume. The 18V has more than headroom compared to the 9V, although both delivers a wide range of tones from clean boost to virtually fuzz.
Sleeping room setups: 6/ten
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC
Gilmourish.Com score: ten/ten

Electronic Orange Bananaboost
The Bananaboost has that vintage flavour of the original. Information technology sounds huge, with tons of headroom and a massive low cease. You lot can easily crank information technology upwards for smooth almost fuzz-like tones and the powerful ii-band EQ makes it easy to tailor the tones to match your amp and guitar. Of all the Powerbooster clones out there, I discover this to be the about authentic sounding, with much of the same character and mojo as the original. See my total review of the Bananaboost hither.
Bedroom setups: six/10
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC
Gilmourish.Com score: x/x

Buffalo FX Ability Booster

Like all Buffalo FX pedals, the Powerbooster is a faithful replication of the original, with a few mod tweaks. It has a huge headroom just can easily be ready upward for some nice overdrive and fuzz tones. It's slightly darker and the top terminate noticeably smoother, making this an fantabulous selection for smaller amps and bedroom setups. Come across my full review of the Ability Booster here.
Bedroom setups: 8/10
Gilmour tones: ObC, DSotM, WYWH, Animals, DG78, Wall, FC
Gilmourish.Com score: nine/10

Vick Audio Overdriver
As the name implies, this is a clone of the U.s. branded Powerbooster, the Overdriver. It has a distinct vintage flavor and of all the clones out there, perhaps the smoothest fuzz tone of them all. It is also slightly more compressed than near models, which can be tricky on already compressed amps but on the right amp, you'll get a very smooth and well balanced character. Come across my total review of the Overdriver hither.
Sleeping accommodation setups: 6/10
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC
Gilmourish.Com score: 8/ten

Throbak Overdriveboost

The Overdriveboost was one of the first Powerbooster clones to hit the market place and information technology'southward still one of the all-time. Of all the clones listed here, this one has the nearly headroom, with an most twangy character. The pedal is packed with modern features, including a germanium proceeds stage and pre-gain. Utilize it equally a stand lonely overdrive pedal or as a clean booster to add life and character to your amp and pedals. See my full review of the Overdriveboost hither.
Bedroom setups: 8/10
Gilmour tones: ObC, DSotM, WYWH, Animals, DG 78, Wall, FC
Gilmourish.Com score: 9/10

Effectrode Burn down Canteen tube booster

This is not a booster in the traditional sense but rather a tool for maintaing the pure signal from your pickups and enhancing the tone from your tube amp – much similar plugging your guitar straight into a tube amp. A mini toggle switch allows three different frequency stages – flat for clean boost and two with a high frequency roll off making single coils sound closer to P90s and humbuckers. The Burn Bootle is an incredibly dynamic pedal that tin can make your guitar and amp sound like a million bucks and bring out nuances in your tone and playing that you thought never were there. If you're looking for a booster for your Muff, then look elsewhere. If you desire a powerful tool that will probaly change your conception of tone then this is it. Run across my full review of the Fire Bottle here.
Bedroom setups: 10/10
Gilmour tones: suitable for any tone
Gilmourish.Com score: 10/ten

TopTone Shine Boost
Clean volume boosters doesn’t do much for your tone other than, apparently, boost the book, which is what you frequently want for a solo but every bit important is mid range. A scooped tone tin can drown completely and boosting the volume doesn’t help. Add together a mids boost and your guitar will cut through the mix like a precipitous knife. The Smoothen Heave offer both. A crystal clean volume boost and, by the flick of the switch, volume boost and mids boost similar to the EP booster. This pedal is an awesome tool for calculation life to your amp and for boosting fuzz and Big Muffs, that oftentimes has a scooped character.
Sleeping accommodation setups: 10/x
Gilmour tones: suitable for any tone
Gilmourish.Com score: 10/x

Custom Pedal Boards Mini Driver
The Mini Driver is a versatile booster featuring controls for volume and gain. Use information technology as a transparent volume booster or, add a chip of dirt for tube-similar compression and grit much like the EP preamp. The Mini Driver can either be used to boost other pedals, drive your tube amp or every bit a stand solitary mild overdrive. Excellent alternative to the Colorsound Powerboost or for simply adding a flake of life and sparkle to your tones.
Sleeping accommodation setups: 10/ten
Gilmour tones: all eras
Gilmourish.com score: 10/10

BK Butler Tube Commuter

The Tube Driver has a archetype Marshall grapheme, similar to the JTM and JCM. The tube makes a huge difference compared to most other overdrives, adding a unique warmth, compression and dynamics. Like the Powerboost, this one demands a loud tube amp. Non a lot of headroom, although lower proceeds settings allows a nice, crunchy clean boost. The current 2006 model besides has a fleck more top and gain, compared to older models, such as the Chandler. Using unlike tubes, like a 12AU7, can alter the proceeds structure dramatically and add together lots more than headroom and warmth.
Bedroom setups: 6/x
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.Com score: 8/10

Buffalo FX TD-X
The TD-10 from Buffalo FX is an try at recreating the tone of the Tube Commuter, without a tube and with a few minor tweaks to brand it more amp friendly. The Tube Driver tin often sound a tad fizzy in the elevation cease and flabby in the lows merely the TD-X sounds perfectly balanced and the superlative end in detail, sound smoothen and nicely rounded off for an overall warmer and more than dynamic grapheme. Like the Tube Driver, the TD-10 has a overnice headroom and enough of gain, when yous creepo it upwards. To me, the TD-Ten sounds much smoother and maybe more linear when y'all set information technology upward for distortion tones, which makes it more versatile for most setups. Highly recommended for David Gilmour’s Tube Commuter tones and both stage and bedroom setups. See my full review of the Buffalo FX TD-X here.
Bedroom setups: 10/10
Gilmour tones: Delicate/Pulse/Gdansk/Rattle
Gilmourish.Com score: x/ten

Electro Harmonix Crayon
The Crayon is a versatile total range overdrive very similar to the Tube Driver. Like the Tube Driver, the Crayon tin can deliver annihilation from clean heave to tube-like overdrive and distortion and its two EQ controls permit you to shape the tone to whatever amp. The Crayon can also be tweaked for more vintage tones like to the Colorsound Powerboost that David Gilmour used during the mid 70s. Dont’ get fooled by the two designs. The circuits are identical!
Bedroom setups: 10/x
Gilmour tones: Frail/PULSE/Gdansk/Rattle
Gilmourish.com score: 8/ten

Having trouble using the Tube Driver with your bedroom setup? Effort Eric Johnson’s settings! The agile tone controls makes the Tube Driver very bright and aggressive, but ringlet them all the way downward, like Eric does, and increment the proceeds for aTube Screamer-ish overdrive with lots of compression and midrange!

Wampler Plexidrive

As the proper noun implies, the PlexiDrive is based on the classic Marshall JTM45. It has a transparent, bright tone with lots of tube-like compression and warmth and a proceeds character ranging from clean heave to baloney. What I similar about this pedal is that the more than yous increase the gain and tone, the more than compressed it gets, which means that it volition never get thin and fizzy. An excellent alternative to the similar sounding Tube Driver, especially for bedchamber setups.
Bedroom setups: 10/10
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.Com score: 10/10

Boss BD-two Blues Driver

Capable of producing anything from clean heave to near fuzz, the BD2 is an incredibly versatile pedal that works equally well with larger amps as with typical bedroom setups. It’s transparent, mids scooped tone and fat lower terminate makes information technology a great culling for the Colorsound Powerboost and BK Tube Commuter. I strongly recommend the Robert Keeley modified version for a smoother and warmer tone.
Bedroom setups: 9/ten
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.Com score: 9/10

Overdrives

David has e'er relied on vintage mode transparent boosters and overdrives or the occasional amp gain but for a more than versatile setup and for your bedroom rig, you might want overdrives with a bit more mid range and warmth.

Ibanez TS9/Maxon OD 808

The original Tube Screamers. Nix really beats these ii in terms of smooth, creamy overdrive and endless sustain. Not everyone appreciates the lack of lower end and gain but you can’t detect a more than versatile and piece of cake to fix overdrive than these 2. Of all the different Ibanez and Maxon models, the TS9 and OD808 are the best sounding. Bank check out some of the many clones available likewise, like the MJM Phantom Overdrive and Fashion Huge Green Rhinoceros for a bit more lower stop and gain, as well as a few more features.
Bedroom setups: ten/10
Gilmour tones: Fragile/PULSE/Gdansk/Rattle
Gilmourish.Com score: 8/10

Buffalo FX Carrera
While the TD-X is based on that classic Tube Driver pedal, with a typical tube amp grapheme similar to the early on Marshall plexi models, the event for some is that there isn’t enough mid range for the pedal to cut through properly. At least not with the typical Gilmour settings. The Carrera accost that and offer the same tube amp tones and character, with more mid range and compression. This pedal is extremely responsive and dynamic and ideal for bedroom setups and scooped amps. See my full review of the Carrera here.
Bedchamber setups: 10/x
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.com score: 9/x

Vick Audio Tree of Life
The Tree of Life is based on ii classic overdrive pedals, the OCD and Zendrive. Both are more than or less based on the elusive Dumble amp, which had an enormous amount of mid range. The Tree of Life blends both pedals perfectly together, creating a versatile mix of low end, mid range, headroom and gain. You can easily use this pedal for lamentatory up a deadening clean tone, boosting other pedals or as a dedicated overdrive or baloney. The high amount of mid range makes information technology fit most any amp and sleeping room setup. It works particularly well for David’due south Pulse and current tones only it can easily cover pretty much the whole span from the earliest days upward until today. See my full review of the Vick Audio Tree of Life here.
Chamber setups: x/10
Gilmour tones: Delicate/Pulse/Gdansk/Rattle
Gilmourish.Com score: x/ten

Lovepedal Dover Drive
Based on the Tube Driver, the Dover Drive is teaked towards Eric Johnson's tones, with a pronounced mid range, rolled off low end and endless sustain. Not an obvious Gilmour pedal maybe but the Dover Drive easily covers all of David's recent overdrive tones, from Division Bell to present. Information technology's impossible to dial in useless or harsh tones with this ane. Information technology'south simply creamy sweetness all the way and personally, this is my new go-to overdrive for recording sessions. Encounter my full review of the Dover Drive hither.
Bedroom setups: 10/10
Gilmour tones: PULSE/Gdansk/Rattle
Gilmourish.Com score: 7/ten

EHX Soul Food
The Soul Food is EHX's have on the legendary, and ridiculously overpriced, Klon Centaur overdrive. Similar the original, the Soul Food provides a broad range of tones, from fat, transparent cleans to creamy overdrive saturated with warm mid range. It can sound a bit indigestible and dull on its own simply information technology cuts nicely through a dense ring mix and pairing with a cranked amp will produce the sweetest sustain. An first-class pick for whatever amp and chamber setups in particular.
Chamber setups: 10/x
Gilmour tones: PULSE/Gdansk/Rattle
Gilmourish.Com score: ix/x

Fulltone OCD

The OCD is basically a hot wired beefed up Tube Screamer with the typical mid range boost and nighttime, creamy overdrive. The pedal has lots more gain and lower end though, which makes it work only every bit good as a distortion with a RAT-ish tone. A toggle switch allows y'all to add together a bit more acme terminate and presence, taking the pedal towards a Tube Commuter. An incredibly versatile overdrive and great culling for David’due south 90’south and present overdrive tones on bedroom setups.
Bedroom setups: 10/x
Gilmour tones: Frail/PULSE/Gdansk/Rattle
Gilmourish.Com score: ix/ten

Electro Harmonix Glove
An excellent version of the popular and versatile Fulltone OCD. The Glove offer the aforementioned huge tones, with a singled-out tube-similar character, fatty lows and a smooth mid range that will match any amp. The Glove has plenty gain on tap to serve either equally an overdrive or baloney and it’s an excellent alternative to David’due south more recent Tube Commuter tones.
Bedroom setups: x/x
Gilmour tones: Fragile/PULSE/Gdansk/Rattle
Gilmourish.com score: 8/10

SviSound OverZoid
SviSound creates some stunning looking pedals and the OverZoid sounds as good as it looks. It’s hard to compare this one to anything that’southward out there but think of a mix betwixt an Klon, OCD and Rat and you’re pretty much there. There’south tons of mid range and proceeds hither, so don’t look any lush cleans, but the harmonics and sustain this pedal is producing is hard to crush. Highly recommended for bedroom setups and mids scooped Fender and Vox amps in particular. Meet my total review of the SviSound OverZoid here.
Bedroom setups: x/10
Gilmour tones: Frail/Pulse/Gdansk/Rattle
Gilmourish.Com score: 8/ten

Strymon Deco
Perhaps an odd choice for your Gilmour tones merely this pedal has then much to offering. The Deco replicates the compression, saturation and overdrive you lot would go from plugging your guitar into those onetime tape machines. Either as a stand alone overdrive or every bit a booster, the Deco provides super shine tones from clean to moderate overdrive, nicely compressed and with enoygh low stop. Similar those old tape machines, the Deco also offer astonishing sounding flanger, chorus and filibuster. Highly recommended for boosting and David’s more recent Tube Driver tones. Come across my review of the Deco hither.
Bedroom setups: ten/10
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.com score: x/x

Distortion

Although David e'er favoured the vintage fuzz and Muffs, he did use a RAT in the 80s and 90s for some of the songs. His 1989-90 setup likewise featured a Tube Screamer. It’s also worth noting that the Cornish G2 featured on the 2006 tour has a similar tone every bit the RAT. Depending on your amp, in well-nigh cases you’re probably meliorate off with a category two distortion (more than mid range and compression) for your bedroom setup.

ProCo Rat

Nothing beats the RAT when it comes to classic distortion. This has always been my go to pedal and it works perfectly on whatever setup for any genre. The tone ranges from warmth overdrive to creamy tube-like baloney to screaming fuzz. Information technology has a pronounced mid range and all the sustain in the world. At that place are many clones on the market, with different modifications, but the old black box keeps up with well-nigh of them.
Bedroom setups: 10/x
Gilmour tones: Fragile/PULSE
Gilmourish.Com score: viii/10

Arc Furnishings Soothsayer
Since its introduction in the late 70s, the RAT has been one of the about versatile distortions on the market, with it’southward smoothen character and sweet sustain. The Soothsayer is based on the quondam classic and the LM308 chip and in add-on to covering the original tone, you tin besides switch between unlike clipping modes. The RAT can announced a bit boxy and lack low end only the Soothsayer has a much more than open up tone and nicely balanced lows. Definitely 1 of the better RAT clones out there and a great selection for typical bedroom setups. See my full review of the Soothsayer here.
Bedroom setups: x/10
Gilmour tones: Frail/PULSE
Gilmourish.Com score: 9/x

CostaLab Dirty Angel
The Dirty Angel is based on the classic Rat circuit, with lots of gain, compression and mid range. In addition to the familiar controls, the Bad Angel feature a boost switch for a 2d gain phase, assuasive more than of pretty much everything on solos and heavier parts. Compared to the Rat, the Bad Affections has more low stop and more of that tube amp-similar character, with more compression kicking in at higher gain settings. At lower gain settings, the pedal also doubles nicely as a warm overdrive. Excellent culling to the Rat and similar clones and especially recommended for smaller sized bedroom setups and scooped amps. See my full review of the Bad Angel here.
Bedroom setups: 10/10
Gilmour tones: Delicate/Pulse/Gdansk/Rattle
Gilmourish.Com score: ix/10

Buffalo Development
Although David Gilmour is perhaps by and large associated with the Big Muff, he also utilize distortions like the RAT and Pete Cornish G2. These have more than mid range and an overall more saturated character. The Evolution is based on the G2, with much of the same grapheme but Buffalo FX has addressed some of the issues as well, like designing a more linear gain stage and an overall warmer sounding graphic symbol. The effect is an incredibly versatile distortion, with a tube amp like tone, sweet singing sustain and a very low noise level. See my full review of the Evolution hither.
Sleeping accommodation setups: 10/ten
Gilmour tones: Delicate/PULSE/Gdansk/Rattle
Gilmourish.Com score: 10/x

TopTone DG2

The DG-two is loosely based on the Pete Cornish G2. Non really a Large Muff but closer to the classic RAT with a warm, creamy germanium tone and tons of sustain. Compared to the Cornish, the DG2 is actually noticeably quieter and even a bit smoother. An splendid choice for a versatile setup and for bedroom setups. See my full review of the DG2 hither.
Sleeping room setups: nine/ten
Gilmour tones: Frail/PULSE/Gdansk/Rattle
Gilmourish.Com score: 9/10

Vick Audio V-two
The V-2 taps into the Cornish G2 territory but unlike the TopTone G2 and Buffalo FX Evolution, the V-2 sounds closer to a Muff, rather than a Muffish Marshall. There’s lots of gain, mids and low end here but what sets it apart, is less compression and more harmonics. The V-2 tin hands cover David’s more than current lead tones, produced past the Cornish G2 simply too double equally a Muff and fifty-fifty a fuzz, with some tweaking. The 5-ii sounds best alone, without a booster, and works equally well on smaller bedroom amps and bigger stage rigs. Meet my full review of the Vick Sound Five-two hither.
Bedroom setups: x/ten
Gilmour tones: Delicate/Pulse/Gdansk/Rattle
Gilmourish.Com score: viii/10

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